
Smart Note: Adj: Finish Dummy Drawings -- Page 19
Emily Wane is simply amazing. I'm not sure if it's the hedgehogs or her artwork that makes her so amazing (the hedgehogs give her the edge either way). I love all the adorable artwork that Emily does. I have the sneaking suspicion I met Emily first on #kidlitart chat. It's hard to say, but I do know that her and her hedgehog love have left quite the impression.
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Like a lot of other artists, I use
myself as reference most often. If I need to get an expression right
I might make faces in the mirror, or take a picture to study from.
But even without looking at a reference, I can get an awful
lot of what I need by feeling it. Need to make a character
skeptical? Make that expression yourself, and really feel
what’s happening in your face as you do. Notice how your eyes
narrow down, and your mouth goes flat. Your nostrils might flare, and
maybe one eyebrow goes up. That’s a wealth of information right
there, and you haven’t even seen any of it, but you know exactly
how to convey that expression now, because you know what it feels
like to make it, and which parts of the face you need to adjust to
get that expression across in a drawing.

Now let’s move on to the real MVP – emotion. Emotion can certainly come across in an expression, but you can’t rely on an expression alone. What if your character doesn’t have facial features? Or what if it’s not even the character you’re working with, but you want to infuse setting or background elements with extra emotion. So much of that emotion is expressed through body language. Perhaps you’ve seen the flour sack example used by Disney animators to show how you can give even an inanimate object emotion simply through body language. I’m going to use a slightly different example here with this adorable ravioli that my friend and teammate Priscilla Alpaugh created based on Disney’s flour sack because it’s just so cute, and I love any excuse to put in a plug for one of my pals. Another great example of this same principle that I will grab from Disney is in Aladdin. Who else loves Aladdin? It’s one of my all-time favorites. And Carpet is a fantastic example of the importance of body language to convey an emotion; he has no facial features at all, but you always know exactly how he’s feeling all the same because of the way he moves.
Think about this in the same way as I
mentioned with expression earlier. What emotion are you trying to
convey? How do you move when you’re feeling that way? Pose yourself
as you would your character, and feel into that emotion. What does it
look like to be excited, or angry? You’re probably very rigid, with
straight bold lines full of energy. What about sad? You’re going
to be slumped over, with more curves and softer lines. Exaggerate
those action lines to really dial in the emotion. Think about the
overall shape of your character, but don’t forget to consider all
the small movements that can also carry emotion
Animals are often my subjects of choice, and they’re a prime example of this. How does a dog show emotion when it’s happy to see you? Its ears perk up, its tail is raised high and waving frantically. What about when it’s made a mess and is sure it’s going be scolded? Its ears droop, and its tail hangs low and tucked between its legs. How about a cat, who’s scared of that dog? Its fur bristles up, it arches its back, and its tail stands straight up. Or if it’s angry, it might pull its ears flat and back on its head and twitch just the tip of its tail. Animals show emotion in a million tiny ways, and while we as humans can’t move our ears up and down (well most of us can’t!), and don’t have a tail to twitch, there are still plenty of small ways that we show emotion in our bodies as well.
Start paying attention to yourself as
you go about your day, the ways you move your face and body depending
on how you’re feeling, and use that knowledge to draw upon the next
time you’re looking to add a specific expression or an extra bit of
emotion to your illustrations.
Bio: Emily Wayne is an author, illustrator, storyteller and artist, a kitty lover and a hedgehog enthusiast, a curious human, a Wonderland-obsessed princess of positivity, and she may or may not be related to Batman – shh! She has more books than bookshelves, and hoards art supplies like a dragon hoarding gold. She is based in beautiful Western, MA where she lives with her human family and a small zoo comprised of a Chihuahua, two cats, two hedgehogs, a conure, a cockatiel, and two lovebirds.
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My Links:
Website: www.emilywayne.com
(or
https://www.instagram.com/emmarooooo/ if you want to see a gratuitous
amount of hedgie pics)
Twitter:
https://twitter.com/emilywayneart
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Thank you Emily, love the examples of mood and emotion. The ravioli is darling.
ReplyDeleteThanks Dayne! Glad you found it helpful!
DeleteThis was a very helpful post. Thanks for sharing. Your illustrations are so much fun. Love it!
ReplyDeleteGlad you found it helpful Karan! Thanks so much!
DeleteExcellent blog post, Emily! You do such a good job showcasing those emotions in your art. And I love Priscilla's expressive ravioli too!
ReplyDeleteThanks Abi! <3 Her ravioli really is adorable, I just want to snuggle it up!
DeleteLove the magic carpet emotions. Who needs a face when you have a gesture? Awesome thoughts here. Thank you!
ReplyDeleteAbsolutely, gesture is SO important! Thanks Sarah!
DeleteDiscovered your Instagram account last night. Adorable hedgehogs!! And the real one too! thanks for sharing.
ReplyDeleteThanks Sharon!
DeleteLove this, Emily! Yes, I think of Priscilla’s ravioli a lot ☺️ And make faces and gestures in the mirror to get just the right expression.
ReplyDeleteThanks Sam! Her ravioli really is just perfect :)
DeleteI love the challenge of showing emotion with the most unlikely characters! Well done!
ReplyDeleteI've been following you on instagram on the 1" challenge and I just made the connection! Love your characters!
ReplyDeleteThanks so much!
DeleteLoved the emotions of a ravioli sketches!
ReplyDeleteGreat info, Emily - thank you! I love your drawings, especially the dog in the rain - he's adorable. I loved the Jon Klassen example - very potent. :-)
ReplyDeleteLoved this post and all the examples, especially the ravioli! Thank you Emily!
ReplyDelete